Something about this setup and its stray components (the animal protagonist; the tender young woman; the overall holy/hellish aura) may seem familiar. That's because Skolimowski, who directed the film and co-wrote it with his frequent collaborator Ewa Piaskowska, is riffing on Robert Bresson's canonical 1966 masterpiece Au hasard Balthazar, which also, in the meagerest abstract, concerns itself with the life, and ultimate death, of a donkey.
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